NEW YORK'S GAY PRIDE PARADE 2018

49 YEARS AND COUNTING

With over 2 million people lining the streets of the West Village and Chelsea the thought of finding a place where I could watch a bit of the parade and not end up with a third degree sunburn seemed a bit insurmountable. I was still personally obligated to try to be a sideline supporter to show my support.

I still don't know how I managed it. I bypassed the obvious subway stops that would intersect with the prime areas for viewing the parade and instead decided at getting off on the east side and then walking west on Ninth Street to Fifth Avenue, a block above where the parade turned north from Eighth Street. The entire eastside of the block between Ninth and Tenth was covered in scaffolding providing a canopy from the sun. It was already pretty crowded when I got there.

The parade was already over a half-hour away from the start. I just waited my turn behind a couple of young revelers. When they either got bored, needed to meet up with some of their friends or just had to pee, I squeezed into the front row. Well it wasn't exactly the front row. There was a section in front of us that you needed a V.I.P. wristband to get into but it was in the sun and not well populated. I was in.
This was a new route for the 49th Annual parade. It was done in preparation for next year's parade commemorating the fiftieth anniversary of the Stonewall riots.

They're expecting over three million people to turn up next year and this was to be a trial run for a crowd so huge it needed a lot of preparation.

For the next three and a half hours I held out snapping bits and pieces of the parade from between the posts and scaffolding in front of me and cheering on the marchers.

I missed the grand marshals but I did get there in time to see most of the long line of politicos out grab-handing and kissing babies or other adults.

Cynthia Nixon was out there with the rest of them and about thirty steps in front of Andrew Cuomo.

This year's theme was "Defiantly Different", a response to the current administration's backward paddling on LGBT rights.

There were plenty of issues both local and international to protest. This one was clearly near and dear to our hearts.

Not only was "The Donald" a target but FLOTUS made it into the category of "deplorable" this year as well. What's going on with that entire family? I fear for poor Baron. He's either going to pull a Ronald Reagan Jr. and declare he's an atheist unafraid to burn in hell or he's going to become the head of the NRA

The world of non-profits was well represented by organizations that reach out to the entire community like Gods Love We Deliver

The faith based organizations were also present opening their arms to all New Yorkers whether they were gay or illegal immigrants.

Then there were the organizations with direct links to the LGBT community

And ones specifically targeted to groups sometimes overlooked and forgotten by the rest of the community

Culture always plays an important part in the composition of the parade. The Irish have always been a visible factor especially since for many years they were denied being able to march in their own Irish parade

African and Caribbean cultures are always a visual highlight. There is such great joy in their visual and energetic enthusiasm

What was especially moving was the appearance of geographically areas out marching and proud. In their their own culture not only would they not be prohibited any display and might even risk death for for identifying with being LGBT

Of course corporate America was also very much out in force. Their floats and marching sales forces and staffs stretched out in long lines of pink balloons for the likes of T-Mobile

MAC Cosmetics was also out as they've always been out for the gay community promoting a voice of inclusion and diversity with equal rights for all and of course just the right eye shadow

Macy's never misses a parade and this one was no exception. They were all rainbows and stars

Even Santa made a rare summertime appearance with his infectious smile, gloved wave and a slightly slimmer physique. When you march with the boys you have to put your best six-pack forward

The parade wouldn't be the parade without a little innuendo. Trojan had one of the most eye-catching floats with a lot of skin and a great tagline, "Protect Your Wang"!

The original parade back in 1970 started out as a visible confrontation with authority and an affront to the misconceived idea that the gay community did not deserve to be included in the fabric of America. It was a confrontation telling the world that the LGBT community was not as weak as it was perceived to be by the rest of the world. It was strong and was going to have to be reckoned with.

Everything began with an uprising by a group of gays and drag queens at the Stonewall, a resistance against the homophobic police force and the world in general. Not anymore.

Now the police force walks hand-in-hand with paraders and its own gay and lesbian members and organizations.

The fire department is no different. Tolerance is the same in every New York community organization as the service divisions of the city are no longer out there beating up queer New York but instead embracing them

Embracing the community is not only an adult issue but it extends into our youngest citizens. Primary, middle and high schools all participated in their own marching units or atop floats like this one by The Calhoun School.

The parade had a lot to say about resistance, inclusion, and diversity. It is serious about issues that matter to all of us. It is relevant to a world on the edge but it is also fun

So before we sashay away

I want to smile with the participants who know how to apply a great deep red lipstick

The boys who can show the perfect butt-crack while walking the miles of the parade in perfect leopard high-heels

The girls that are willing to show their girls

The bears telling us a lot of hair and a beer-belly gut can be sexy

That showmanship in fuschia is fierce

And that a whole lot of skin is intimidating but eye-catching all at the same time.

Now I can't wait until next year. I plan on being one of the three million standing on the sideline waving and hooting with the rest of them





















THE GALLERY

Fred with Tires, Hollywood, 1984
Herb Ritts, photographer
Represented by Staley-Wise

KIPS BAY DECORATOR SHOW HOUSE 2018

A PERSONAL TOUR

Seems I'm always slightly behind. The Kips Bay Decorator Show House closed on the last day of May and here we are in June. For anyone that missed the show house I'm putting together a little tour of what was one of the better show houses of the past few years. Located once again on the Upper Eastside at 110 East 76th Street in a seven level extraordinary thirty-six foot wide townhouse there was plenty of old and new talent dressing out the show house in some exciting new trends.

The minute you walk in there's a bit of a letdown that this is going to be a little tired, the same stuff you'd expect to see; traditional but beautiful and seen before.

But once through the vestibule you're socked with a staircase like nothing you've seen before.

Floors

Ceilings and oh those walls!

Floor after floor of amazing graphics crafted seamlessly as it zigged and zagged and zipped its way from floor to floor all done by next wave designer Sasha Bikoff.

I was told by the docent who greeted me at the door it was best to start at the top and then work my way down. I took her advice and hit the top floor where Charles Pavarini did the more established designers proud creating his tranquil Wellness Retreat for Mind, Body and Spirit.

The concept incorporated both interior and exterior space both bathed in tranquil light and an abundance of healing crystal.

From the sublime to the ungapatchka, from floor to ceiling not an inch of space was left untouched by pattern and/or art. The art, as eclectic as the furniture, had photography fighting oils and classic pieces punching it out with modern art in a visual battle for your attention.

I had barely a moment to breath in this over-produced drawing room.

This piece of art pretty much summed it up. This was certainly not an exercise in more is less.

Next up was a series of bedrooms and a chance to relax if not completely fall asleep. The Sleeping Beauty suite by Mark Sikes was fit for a princess

Brian del Toro's bedroom encapsulated the essence of relaxation with its folding screen of fresh blossoms and flitting birds on a background of copper tones

The combination of transitional elements under an Asian influence were a perfect combination

This was followed by the better-known tier of design royalty with Alexa Hampton's version of a Bedouin tented parlor.

Its faux fabric draped walls and soft touches of dusty rose and lilac were exotic and very near perfect.

It's never easy to be assigned a bathroom but this year Marcia Tucker took on the task to my mixed reviews as well as the woman I shared viewing the bathroom with while we were both surveying the bathroom's pros and cons.  We both liked the living orchid wall and loved the yacht-like quality of the envelope.

What seemed to baffle us was the glass enclosed water closet and its accompanying sculptural light. It wasn't a shower. It was a toilet. It was glass enclosed. This didn't provide privacy. The only reasoning we could come up with was the intended client must have suffered from a very bad case of gas.

Next up was more design royalty with the always-stunning Drake-Anderson gathering room. This was a space meant for entertaining. A massive curved sofa referencing Vladimir Kagan softly hugged the window side of this golden room.

A panel wall separated the seating area from where the bar stood, a dark place where drinks were served in front of a mirrored wall. This space lit its own fire.

Big names abounded at this year's show house and the ever-present Barbara Ostrom was there to bring her New Jersey style to the house. Her signature detailed woodwork and oversized furniture was ample support for her pop art ceiling.

Using Frank Stella as her muse she painted the ceiling in his trademark style that made a statement I'm not sure I understood.

Dining at the other end of her lushly ornamented room was a table fit for a king with the finest bone china and gold-rimmed stemware.

The only thing missing was a pair of antique French Sevres turned into modern lighting fixtures...Oh here they are!

Talk about a stacked deck, Bunny Williams was there as well with more curved sofas and exotic wood walls.

My favorite touch was this built-in spider panel. A touch of humor goes a long way in a room.

The ground floor held the kitchen designed this year by British designer Clive Christian

Adjacent to the kitchen was a very sweet little vignette by Steilish. It was small in size but huge in delightful design. I couldn't stop staring at this beautiful Cathedral photo.

This amazing patio extended out from the kitchen making what was in essence an airshaft into a green oasis. Done by Nievera Williams it took a very difficult space and turned it into magic.

The bottom floor belonged to Juan Montoya and all his quirkiness.

Dot paneled ceramic walls gave off a very modern vibe

But then he'd throw in art deco arches

and place them next to an American influenced antique chair and library bin. It was definitely a space that provided plenty of drama.





















THE GALLERY

Untitled #4 Cy Twombly in Rome, 1966
Horst P. Horst
Represented by Staley-Wise Gallery