ICFF AND WANTED DESIGN 2016

THE JAVITS AND THE WAREHOUSE

The doors at the Jacob Javits Convention Center on the far west side of Manhattan closed earlier this week on the 2016 version of the International Contemporary Furniture Fair. The fair shared two partial floors at the convention center with two other shows: Surtex and the Stationary Show. May is design month in New York City and beyond ICFF there are now events stretching from the Javits through Soho and all the way into Brooklyn, all this under the new umbrella of NYxDESIGN. I tried to squeeze in as many events as I could. I covered every aisle of ICFF, both floors and I did it more than once.

I hit a couple of evening events in Soho on the showroom crawl happening the last Saturday of the two week long event.

I also hit Wanted Design, an extension of ICFF down 11th Avenue in the Terminal Building, site of the old Tunnel club. There were many of the old standards, companies and artists that have exhibited year after year.

At ICFF our friend, Daniel Levy, was in his usual space once again showing some of the most beautiful tabletop available. It's pricey but exquisite and absolutely necessary for me to recognize his artistry.
What I want to look at this year are some of the new things I saw mostly by first time exhibitors, our exhibitors whose work I just hadn't noticed in years before.

Bernhardt is a perennial exhibitor taking on a huge space at the Javits and then sparsely furnishing it. This year they did the same thing at the Javits but they added an additional presence at Wanted Design. It was all to their advantage as they were cited with the best seating award for their Mellow sofa by Oceane Delain for Bernhardt.

Lighting as always was an important component of the show. AXO Light was another perennial that I hadn't taken the time in past shows to really look at but this year I felt they were a real standout with their ring lighting.

On the immense and gutsy side of the spectrum there was Stickbulb. They hung only one fixture in their booth but it was nine feet tall and offered only in a limited addition to of twenty-five.

Another award winner was Tala, a light bulb company, winning the award for the design providing the most social good. Developed by a quartet of former students from the University of Edinburgh, Tala's name is derived from an African concept meaning "conservation through beauty".  Their LED lighting provides an alternative to the corkscrew harsh lighting that started the movement filling the shelves of box stores throughout the U.S. The beautiful warm amber glow of their light bulbs is in stark contrast to the cold blue light of its predecessors.

If you're looking for a retro look in shades to cover that lighting, Moon Shine Lamp and Shade is a company you should look at. Made from fiberglass resin parchment in Texas the shades come in dozens of styles, colors and patterns and they'll do just about any customized request you can make. The shades can be used as pendants, on table and floor lamps or as sconces. There's a huge selection of edge stitching to choose from and patterns as well. I can do without most of the literal images you can apply to their shades but the vintage graphics are worth thinking about if you really want to go full retro.

Textiles are always an important part of the show and there were many that didn't disappoint. I can't verify if Samad rugs has been to the show in previous years but their silk and wool rugs were lush and exquisitely crafted. Each rug is handcrafted so no two pieces are going to be exactly alike. Purchase one of these carpets and you have an heirloom to hand down for generations.

Another favorite I found at Wanted Design was Kirkit Istanbul. The hand-dyed fibers are gorgeous and the way colors are woven in a single piece tells a story of an ancient cultural skill this venture is trying to protect and pass on to a new generations.

The show always has exhibitors that try for your attention by just being outrageous. To this effect there were companies that hit you with raw color like Polart whose highly polished polymer furniture smacked of primary reds, blues and yellows.

Or people like Tom Dixon whose copper ball chandeliers looked as if they were about to burst raining down a storm of Lincoln pennies.

Others went for the absurdly titillating giving Bambi a rack on top as well as below.

Then there was a tile company that decided to introduce its new painterly porcelain by displaying it in the form of urinals with accompanying ducky toilet brush holders.

The totally outrageous went to this grand piano with Tim Burtonesque legs and a polished orange interior.

Not to be outdone Christopher Guy channeled his cartoonville aesthetic with wooden chairs looking like people ready to give you a lap dance and upholstered seating ready for the likes of Jessica Rabbit in "Who framed Roger Rabbit"

One of my absolute favorite finds at the show was Jallu Ebenitstes from France. I really felt their work was genius.

To start with was the uniqueness of their materials. In furniture they showed a media cabinet out of exotic wood, brass and gypsum. The three-dimensional cabinet doors took an unlikely material and gave it the patina of precious stone.

Then there were their wall coverings. I looked and then did a double take on this radiating pattern they had on display. It shimmered like expensive gold but its mystery was far from the expensive end of the spectrum. Its source was very pedestrian embedded in the American anthem of "amber waves of grain". On close inspection and with a tutorial from Jallu it was explained that the wall was made from straw. Individual shafts of straw are adhered reed-by-reed taking months to create these amazing pieces of art.

I was so impressed I had to go to their website to see more of what they had done. This geometric headboard made of brass and straw was to die for.

I had heard Italy was having financial difficulties but by the looks of the Antolini booth specializing in stone money was no object. This exhibit exuded luxury for the very elite. It was a marble and brass wet dream that was hard to ignore.

For a more cabin in the mountains look Slik was offering a new line of freestanding cast iron bathtubs clad in stainless steel with a mirror, copper, brass or matte black finish.

Flooring was another important element of the fair and again from across the pond in the Netherlands came a designer supplier with an eco-friendly philosophy

and a laminated product combining various woods to produce amazing patterns.

But my award for best of show goes to Spain and an unassuming woman, Ana Arana, who came up with this kitchen in an island. Every aspect of cooking, storing and preparing food was squeezed into a single unit that was not only functional but beautiful as well.

For anyone pursuing the tiny home culture, the Gali kitchen unit is something to consider.

As in years before the show has traveled a rollercoaster of growth and decline, focusing strictly on furniture and then broadening its circle of inclusion, show quality and mediocrity. This year's variety of exhibitions reflected all of the above which means it was worth the efforts.


















THE GALLERY

Elsie de Wolfe in her Paris Apartment wearing a Schiaparelli
Cecil Beaton, photographer
Represented by Staley-Wise Gallerys