Tuesday, December 12, 2017

THE HOLIDAYS IN NEW YORK CITY - PART ONE

A PHOTO ESSAY PART ONE
The holidays in New York always seem to bring out the best of the city. Everyone seems a little more courteous, a little more generous and a whole lot happier. It's the only time in the city that you look forward to a little bit of snow. Since our daughter was born we've bundled up each holiday season and toured the windows of department stores like Macy's and Lord & Taylor. We've watched the skaters in Rockefeller Center and Bryant Park. We've trolled the holiday markets in Union Square and at Grand Central. We've sipped hot chocolate at City Bakery and grabbed a cup of grog at the Lodge at Gallow Green
Each year the city seems to outdo itself with lights and imagination and as citizens of the city we put on our best and most outrageous holiday attire. I'm breaking up my holiday blog into two posts; one to focus on the city and the second to show off the display windows that tickle the imagination
So here's to New York:




















This is the week before we leave for an extended trip to Europe to experience what it's like to enjoy the holiday and ring in the New Year from the perspective of Italy, the Netherlands and France. I'll be blogging the trip to share the adventure. Can't wait even knowing that anticipation is almost as exciting as the experience itself.

Thursday, December 7, 2017

NEW YORK'S HOLIDAY HOUSE 2017

BRING IN THE HOLIDAYS
The first time the doors opened on New York's Holiday House was back in 2008. It was the vision of Iris Dankner, a breast cancer survivor. She wanted to fill a void in the design showhouse market that wasn't focusing on women's issues. This year as in the past nine years designers and architects have contributed to creating a showcase for their work and a way of contributing to an important women's cause, breast cancer research. The show came to a close on Wednesday. I toured the house on Monday wandering through the four floors of the historic Academy Mansion on East 63rd Street.
The first thing to catch my eye was  right in the entry designed by BJS Associates.
Hidden under a fur throw was Johnny Swing's signature half-dollar welded chair. I've loved this chair from way back in the 1990"s when I first saw it at an ICFF show. It's a tremendous collector's art piece that's way more comfortable than it looks. Unfortunately, the price tag is not quite as comfortable
Walking through the entry leads right into one of the larger rooms in the showhouse designed by Groves & Company. It's titled the parlor. It offers a sleek contradiction to the very traditional envelope that encloses it. The high contrast black, white and silver design was a bit under-whelming and the issue of how to fill a very tall space seemed ignored with elements that only seemed to the cut the room in half on a horizontal plane. Huge vertical drapes were used to disguise the walls but if they had used a bold print or color other than white it might have solved the issue of ceiling that felt miles above your head.
There's a view from the parlor through a gentleman's lounge to the dining room designed by Kim Radovich Interiors.
This was one of my favorite spaces.
Of course, Kim was given some gorgeous architecture to work with, from the beautifully ornate vaulted ceiling to the arched windows the space was hard to muck up.
I loved everything from the art on the wall
to the exquisite table settings.
This room alone was worth the $40 entry ticket
Usually if you're given a small space you end up stuck with not being able to make a major splash but Stedila Design did a simple but significant creation under the main floors spiral staircase.
Playing off the curves of the staircase and illuminating the space with a cascading angular chandelier were just the right notes to create an eye-catching and an impressive conversation nook.
Sometimes meeting and talking to the designer at a showhouse is just as important as the design itself. That was the case with the tented courtyard supper club designed by Anna Maria Mannarino.
Even though it was the end of the show, Anna Maria remained in her space greeting and chatting. She was gracious and informative. This wasn't her first rodeo. She had done over a dozen shows and unlike most participants had collected commissions from all of them. The credit goes to her personality and willingness to engage.
If this hallway designer had just taken it down a notch it could have been a real showstopper. It was a showstopper but not in a good way.
The room at the end of this striped hallway was in total contrast to the opulent lead up created by that striped hallway. Alyssa Kapito's serene and inviting living room was a space I could live in.
Beautiful furniture
A monochromatic color palette
and a simplicity of design made for a space you could relax in in total comfort.
Two smaller rooms; one by Natalie Kraiem Interiors
and the other by Patrick Lonn Design were well worth walking into
but Robin Baron's elegant sitting room was a treat of two sweets.
The main room was like a melt-in-your-mouth chocolate truffle, subtle in pastels and highlighting some of Robin's new furniture and rug collections,
the other an Easter basket of jelly beans and hard candy, fun and irreverent. Robin was there to walk you through and explain it all, a total sweet tooth experience.
Young Huh's kitchen in collaboration with Bosch was a hard one to understand.
The circuit board design on the cabinetry and storage wall was confusing and disjointed looking tacked on in the traditionally paneled existing architecture.
There's a fourth floor at the Academy and it seems everyone who gets stuck with this space is up against a losing battle. This year the room was turned into a game room but the result wasn't one I'd want to play in. It was more a promotional space for a sports company combining a foosball corner, pool table and a truck filled with riding equipment: saddles, reins and crops included. It's a huge room and a real challenge. If I was offered this space I'd decline.
Not wanting to end on a down note, James Rixner always comes through with New York's abundance of show houses
I don't know how he does it. His rooms are always beautiful. We know how deep your pockets need to be to do a single showhouse. Our hats are off to James and his company for the tremendous amount of charity work they do.



















THE GALLERY






































Snow on Garage Door, Rochester, NY, 1960
Minor White, photographer
Represented by Howard Greenberg Gallery

Thursday, November 30, 2017

THE PASSING OF FLORENCE MELAHN

FLORENCE MELAHN
The news came in on a phone call from my youngest sister, two days before Thanksgiving. My mother had passed away, silently in her sleep. Her caretaker at the assisted living facility she'd been living at for the past five years had gone in twice to check on her thinking she just needed a little extra rest. Her dementia had left her without her words and taken away much of who she was. The real Florence would have been up way before her caretaker, made her bed, cleaned the kitchen and ironed the dish towels without thinking that maybe just a cup of coffee and donut might have sufficed. She was a ball of energy.
We all knew this day was fast upon us but it still came with a jolt and a tear.  We had spent more than a decade watching the woman who had raised us lose the bits and pieces that defined her. She finally ran up against the one thing that could slower her down.
Her funeral was this past Tuesday. As her oldest son I had the honor of doing her eulogy.
MOM
Each of us siblings had a similar story to tell about our Mom. At least once during each of our childhood school days in our grade school or junior high cafeteria we'd end up being the recipient of one of our Mom's favorite practical jokes. She'd have packed a piece of fake fruit along side our peanut butter and jelly sandwich. Some of her fake fruit would be just realistic enough to fool us for that split second before we took a bite sending our tablemates into hysterics.  Returning home she'd try her best to control her laughter but there was no mistaking the shaking of her shoulders as she swallowed a giggle at what she'd done. Being a prankster was just in her DNA. There was a part of her that never left Neverland. The smile on her face that sat between her pair of deep-set dimples was rarely missing and everyone who ever had the pleasure of meeting our Mom couldn't help but smile back.
At a restaurant with strangers or working the counter at the Milk Depot or Light Haus her warmth and humor were the tools of her profession. Sorency could change a day of drudgery to a laugh out loud moment that made your cheeks hurt and your heart burst with undying loyalty. She instantly became everyone's best friend.
No one knew this more than our Dad. Our parents weren't outwardly affectionate; they were German. They didn't walk around hand-in-hand or shower each other with the typical outward displays of affection but there's photograph after photograph capturing my Dad with a look of complete devotion, his eyes brimming with love for our Mom.
Just before my Dad died he bought my Mom a new wedding ring, one he couldn't have afforded when they were first married. We buried him clasping her old ring in his folded hands so he'd never loose the touch of her.
I know my Mom considered herself to be just a little ol' farm girl with not much of an education. She suffered from malapropisms. She could never get it straight exactly where we lived. It was always Heritee Heights rarely was the correct Heritage Heights a part of her lexicon, but she was so much smarter and creative than she gave herself credit for. She was bold. She didn't settle for average or the norm. When we were young she decorated our living room in pink and black with bold floral drapes inspiring us all to step outside the norm and expected. Every year she came up with a new design for felt ornaments for our Christmas tree that she'd sit sewing together after the rest of us had gone to bed. She was industrious. She took in ironing because she could never sit still. She cheated mercilessly at Euchre and laughed with delight every time she got caught. She was generous to a fault selling her blood at donor banks month after month so she could buy us extra gifts for Christmas.
With dementia the process of leaving is stretched out, sometimes painfully. My father's heart attack took him from us without the opportunity to tell him how much we loved him. With my Mom we had to watch as she slowly slid away forgetting our names and losing her ability to speak but she never lost her smile. I'll miss not being able to kiss her forehead, or laugh at her mispronunciations. I'll miss her joy of the holidays. I'll miss her German Sweet Chocolate cake. But she left all of us a traveling suitcase filled with goofiness, a sense that being different is better than being average and that all of us are special and no one is exempt from a good laugh.
Here's the rooster, here's the pullet and here's the hen. Now what did I say this was?
I know my mom isn't resting in peace, she couldn't, but she's out there baking Christmas cookies, charming strangers and down on her hands and knees playing with the world's children, teasing them and giving them a little tug on their noses with her little pullet joke.